Walking Past a Farm on the First Day of Spring

Blades open the earth, with a smell
like blood or bread rubbed to crumbs.

News of my darkening country has me
thinking of poets slaughtered by tyrants,

of Mandelshtam, Lorca, Miklós Radnóti, 
and poems from prison and from exile,

Nâzım Hikmet, Liao Yiwu, Dennis Brutus.
Their arrest warrants cringe for shame of the same 

graceless brute’s signature. The punctured walls 
close their eyes and brace for another wave of lead.

Come summer, when the cornfield simmers 
in braided tassels, would I dare unravel myself,

as a beaten book frees letters from its pages,
or the flossy, seeded syllables of milkweed fluff. 

Don’t lie, I want to shout at someone, torture is 
never for information, always for the pleasure 

of the torturer, or to stamp the state on a body,
which is the same thing. Then a raw gust

tosses gulls above the plowed furrows
where they have come to pluck

small soft bodies, and shrieking
they hold themselves stiffly in place, 

beating against the wind, working
hard not to be blown backward.

James Owens

James Owens's newest book is Family Portrait with Scythe (Bottom Dog Press, 2020). His poems and translations appear widely in literary journals, including recent or upcoming publications in Atlanta Review, The Shore, Dappled Things, Southword and The Honest Ulsterman. He earned an MFA at the University of Alabama and lives in a small town in northern Ontario.

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The State of the Union / Wrestling With My Roots