As My Mother Approaches Death Herself

 

I.

Not Eden, this, here where she said the wren

throws back her head and sings for joy;

because I’ve noticed how the wren turns when she sings,

now north, now south, now facing my cranked window

pushing outward with her song to form a sphere of hope,

the boundary meant to shield her nest against usurpers.

She sings all day, a desperate song, a song of war, 

and marks her space with dread and threats;

I wake each morning to her fear.


Not pastoral, this field of vicious grass,

this place filled, she said, with cheerful daisies; but

who stretch for bees, implore for moisture, vie for sun;

each bush hides carcasses of those succumbed to shade;

where oriole pokes holes in tents that inborn fear has spun;

and gulps down writhing forms until they’re gone;

here milkweed leaves chewed raw until their sun goes dark,

where amidst this meadow carnage jostle goldenrod.

She’s ambled through, mistaking lack of speed for peace.


No peace, the opposite of life and love, is here;

how long, once the kingfisher has swallowed, 

does the crayfish wait to die? She failed to tell me this.

She chats as I commit genocide in her flowerbed 

and feed my child the stolen futures of trees;

we hear the cowbird victorious beside the shriveled chick;

watch the turtle deposit her life’s work in a hole.

There are lumps in the snake, a rabbit wails.


II.

I grew up thinking the world a joyful place,

Because that’s what I was told. But she only

told me half, an Easter Bunny world. 

when the pain struck, I knew I was betrayed.

I blamed her even as she gave me to this world 

in hope, and taught me song.

We sing; our lullabies are tinged with fear, 

our arias the proof that we still breathe, 

tenacious melodies of joy; peace of no peace,

here where all the work we do is only picking sides; 

on earth, this earth, a ball of rock encased 

in our thin layer of screams and cries.

She has one day left, maybe two; she wants them.

She is the wren; I am the fool.

There is nothing to forgive.

Joy and fear; they are the same. 

Sally Zaino

Sally Zaino’s poetry has appeared previously in Cider Press Review, Avocet, Flycatcher, Snowy Egret, Watershed, Poetry Takes Wings (editor’s choice), Humana Obscura, and others. Her chapbook, Hard Frost, was the winner of the Finishing Line Press New Women’s Voices competition in 2013. Essays have appeared in Flycatcher and The Ecological Citizen. She co-edits the online and print poetry journal Earthshine.

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The Valley of Sheep

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Green Burial and Climate Hope