Neowise (Averted Vision)

 

Where the Georgia-15 bottoms out
into graphite backroads past

gas stations and junkyards, white 
neon signs like solar

flares in the swallowing
night, there off the dirt-
   

worn highway, a lamp
on a stone gate keeps

the threshold to the infinite
dark. At the dead

end, I expect wolves
at every turn, hounds

of men to pounce 
from the cricketing 

shadows, but I am alone 


now again. Either we build castles
to the colder air, golden

onion domes to the seat
of some salvation, or else 


we lie out under its
weighted blanket, August 


swollen with insects lost
for blood on the hot 


breeze, honeysuckle 
breathing its candy 


through the chain-link
fence, and wait. Askance above
the violet-pale city, the comet 


arcs away to its farther destiny,
a wild horse tossing its mane


on the prairie of night like a slant
truth, not to retrace


this orbit for six thousand
seven hundred years, until


fleetingly I grasp 
the impermanence of all


things, that I can no more 
guard your beauty than 


arrest this god on its cosmic 


errand through the twilit
void of outer space.


I remember you
that way, flight


of the white-tailed
deer always running


away from me, the shy
graceful animal I could not


make out head on
without running


over. Ненаглядный,¹
the Russians say.


Unovergazable. 
I look out for you


still. Now we’re in
the afterglow, not


the quick blunt head
of ice but the glorious


tail, our ten million miles
of dust.


¹ /nee-nuh-GLIAD-nuy/

Genevieve Arlie

Genevieve Arlie (they/she) is a genderfluid Californian with hypermobility syndrome. A nominee for Best of the Net and The Best Small Fictions, they’re also a PhD student in English–creative writing and Presidential Fellow at the University of Georgia. Their work appears in Columbia Journal, Nat. Brut, Passages North, Zoeglossia’s poem of the week, Tupelo Quarterly, and elsewhere. As they’re not strong enough to run with the pit bulls, they foster senior pets.

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Can We Remind Ourselves That We Are Wild?

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Ephemera with Roots: Les Murray’s Last Poems