Adoration: The Maple
Our family was young, the house old, the backyard scorched and empty. We were broke from the down-payment, the legal fees, but we wanted beauty. We found a sugar maple left over from last year, marked down.
Reading Serhiy Zhadan: The Poetical is Personal is Political
Now, how many Russian novels in translation have you read this past year?
- Audre Lorde (“Notes from a Trip to Russia,” 1976)
The line above is the closing sentence of Audre Lorde’s “Notes from a Trip to Russia,” the opening essay in her renowned Sister Outsider. This essay was written during her two-week trip to Russia and Uzbekistan in 1976, before the dissolution of the USSR.
The Daily Reckoning: An Interview with Makenna Goodman
Vermont poet Michael Metivier speaks with Vermont novelist Makenna Goodman about her debut, The Shame (Milkweed, 2020). With humor and vivacity, the book charts the internal struggles of its narrator, Alma.
Method Acting: A Review of “Dad Jokes from Late in the Patriarchy”
It’s possible one could go their entire lives and experience a single death, only their own. The aftermath of unpredictable tragedy, there would be nothing to observe, nothing to predicate one’s visions and versions of death.
Immigrating into the Absurd: A Review of Tropicália by Ananda Lima
Tropicália is a book that doesn’t pull its punches or steer away from the absurd, pulling in readers from the first line, “She devoured tiny Americans that came out of vending machines.”
Inactive Fault, With Echoes
Rain won’t fall, won’t fall and won’t.
When I learned the word virga
I learned how full a cloud could be,
Every word worth an extended visit,
Visit meaning to both comfort and afflict.
Autumn Begins in Virginia, Where You Left Me
and every year I still yearn to write them—the leaves,
signature picture of beauty
inevitable
and stock as a sunset.
And Yet There Is Hope: A Review of Dialogues with Rising Tides by Kelli Russell Agodon
Dialogues with Rising Tides testifies to how we are inextricably intertwined in a web of ecological disaster, intergenerational trauma, and a persistent murmuring chorus of our own underlying fears and anxieties.
Praise Songs I-VII
Late one evening in early summer, Frank and I sat in gathering dampness and dark, having just doused the fire where we had cooked dinner. We were on the western side of our meadow, near the oaks, looking into the swale where night collected first.

