These delicate buds
of early Spring —

Late one evening in early summer, Frank and I sat in gathering dampness and dark, having just doused the fire where we had cooked dinner. We were on the western side of our meadow, near the oaks, looking into the swale where night collected first.

No dream nor waking spirit prevents / my tendency to wander / my tendency to run with pride / my vanity

In Amblyopia, Ananda Lima interrogates the imprecision of sight, the movement from one language to another, the blurred space in between.

As an artist I’m always interested in things that are double but not binary—that is, they have a doubleness to them that includes an infernal superposition where both are true—or not true—at once.

 i. 

Between the regions of anticipation and participation the heart keeps vigil for what all hearts wait for: 

   justice to take form

At first glance, the most noticeable thing about Y el verso cae al aula (And the verse falls into the classroom) is a picture of a crying toddler on the cover of the book, along with the subtitles that say this:

We spoke via Zoom (as don’t we all, these days) with Dr. Ellen Davis in the days immediately following the Trumpist terrorist attack on the United States Capitol. Dr. Davis is Amos Ragan Kearns Distinguished Professor of Bible and Practical Theology at Duke Divinity School.

Step One:

Sweep compost of your midnights

into flowerbeds.

Spiral paths to the center

to entice the improbable bee.

I have in front of me two collections which should shake the foundations of what a person thinks they know about conception, child loss, and pregnancy—but also women’s history, women’s medicine, women’s narratives; what lore survives the dominancy of patriarchy

Our Interviews Editor Esteban Rodríguez speaks with Jihyun Yun on the importance of family and place, the effects of diaspora and war, and the making of her debut collection Some Are Always Hungry.